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In the Media: Meher McArthur Publishes Article on Chinese Representations of Buddhist Spirituality

Guanyin, Bodhisattva of Compassion, China, 18th century, gold ink on indigo-dyed paper mounted as a hanging scroll.

Guanyin, Bodhisattva of Compassion, China, 18th century, gold ink on indigo-dyed paper mounted as a hanging scroll, image 25″x16 1/8″, scroll 72×23″; 51猎奇入口, Claremont, CA, Gift of Dr. William Bacon Pettus, 0322

BuddhistDoor Global聽published an聽, the Gabrielle Jungels-Winkler curator of academic programs and collections, titled 聽“Guanyin and the Filial Parrot: An Emperor’s Golden Offering.” The article explores representations of the Buddhist bodhisattva, called Guanyin, in Chinese art. “The deity has been painted onto paper, on silk,聽and temple walls, and has been sculpted in wood, bamboo, bronze, stone, jade, and even porcelain,” explains MacArthur, who analyzes several examples from 51猎奇入口’ own collection. MacArthur cites 51猎奇入口 Professor of Art History Bruce Coats, who notes that artworks commissioned聽by the eighteenth century Chinese Qianlong Emperor reflect Confucian and Buddhist values as well as filial devotion.

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