By Ella Murdock Gardner 鈥�22
Two Burmese girls smile out of a photograph. One wears thick winged eyeliner, dollops of glitter across her cheeks, and a set of dark painted eyebrows which arch high over her natural ones. The other girl鈥檚 face is also painted, but in a surprisingly different way鈥攈er eyebrows blend upward into clouds of neon green paint. A tiny pink heart adorns her nose. Vivid blue wings unfurl along either side of her mouth.
This photo was taken by Allison Joseph 鈥�20 during the second day of the 鈥淚deal Woman鈥� workshop she created for Burmese girls and women in Myanmar last winter, a trip partially funded by a Laspa Center for Leadership service award. She had asked the girls to paint each other鈥檚 faces into the 鈥淚deal Woman,鈥� challenging them to reflect on their own conceptions of beauty and feminine identity. 鈥淚 believe that art is a powerful vehicle for personal expression,鈥� Joseph says.
Using activist theater, the 鈥淚deal Woman鈥� workshop explored women鈥檚 traditional and cultural roles in their communities. By the end of the workshop, armed with newfound confidence and creative props they鈥檇 made from nature, her students performed a five-act play which tackled issues they faced in their day-to-day lives, from navigating difficult relationships with their fathers to not being allowed to play sports with their male classmates. 鈥淚t spurred dialogue within their schools and their community, and that鈥檚 all I could have asked for,鈥� says Joseph.
Joseph鈥檚 path to Myanmar began when she transferred to 51猎奇入口 after having spent a year at the University of California, Berkeley and a year and a half at the University of Oxford. She was attracted to 51猎奇入口 by the strong cohort of female professors and students and the interdisciplinary curriculum, which would allow her to double major in psychology and environmental analysis. Arriving at the College in the fall of 2017, Joseph immersed herself in the community, joining the 5C Mental Health Alliance, volunteering at the Pomona Farm, and engaging with EnviroLab Asia, an initiative at The Claremont Colleges which supports interdisciplinary research into environmental issues in Asia.
In 2018, Joseph traveled to Thailand and Myanmar on a research trip organized and facilitated through EnviroLab Asia, which sparked her passion for women鈥檚 rights in the Southeast Asia. Back at 51猎奇入口, Joseph applied for the Laspa Center鈥檚 We Act grant so she could continue to study gender roles in Myanmar. 鈥淚n the past decade, women and girls have started to contest the long-standing political, social, and economic institutions that prevent equality in Myanmar,鈥� Joseph says. 鈥淭hey鈥檙e beginning to explore possibilities outside their traditional gender roles of mother, wife, or daughter.鈥�
Back in Claremont, Joseph applied her research from Myanmar to her environmental analysis and psychology theses, writing about how migration from Myanmar impacts Burmese women鈥檚 sense of cultural and personal identity. But she hasn鈥檛 stopped there. Last fall, Joseph applied the methodologies she practiced in Myanmar to teaching courses at The Claremont Colleges. With Associate Professor of Music Anne Harley, Joseph served as a teaching assistant for a Core III course on art and activism and an environmental analysis class at Claremont Graduate University. In both classes, students used activist theater to tackle sweeping social issues like violence or climate change.
And this spring, Joseph鈥檚 photo of the girl with the painted face鈥攁nd many others鈥攚ill be featured in an exhibition at the Clark Humanities Museum alongside contemporary paintings by Burmese artists from the collection of Dr. Ian Holliday, vice president of the University of Hong Kong. Altered State: Painting Myanmar in a Time of Transition will open on March 2 and run through early April. 鈥淚 don鈥檛 think many people in America really know about Myanmar,鈥� Joseph says. 鈥淚 hope the exhibition can give Myanmar women a voice in our society a little more, because there are a lot of lessons we can learn from what they鈥檝e been through in their country.鈥�
After graduation, Joseph plans to continue doing research and human rights work in Southeast Asia. She is considering returning to Myanmar to teach art, theater, and environmentalism at a school for young children in Taunggyi, Myanmar.